Wednesday, December 31

Breakdowns, Blood, Bowling Pins and Milkshakes

The Endings Blog-a-Thon


This is an entry into JD of Valley Dreaming's blog-a-thon about our favorite endings in film. So, thank you JD, for (giving me something to write about!) letting me, in a way, relive one of my favorite endings.

In the childish theme of "There were no films made before 2001," I have to say that There Will Be Blood's manic ending is certainly one of my favorite endings ever. I'm watching a replay of it on Youtube. It has been uploaded a bunch of times. You see Daniel Plainview, an older man, now, explaining an analogy to Eli Sunday, his rival. He talks about his oil and how it reaches to other places, getting more oil. He compares this situation to having a milkshake and using his straw to drink up other milkshakes.

And, um, then Kelis's "Milkshake" song keys up and this uploader messes with rewinding and fast-forwarding so it looks as though Daniel is dancing in the bowling alley. Which brings me to the first reason this ending is great:

1. It sparked a cultural phenomenon: Despite being "An Important Film", There Will Be Blood's meaningful ending became an ongoing joke throughout the media. Youtube has, like, hundreds of parodies of the ending. SNL did a skit of it. People who don't follow Oscar season ardently (like us!), were drawn into this baity film. Simply, because of the supposed, goofy ending.

2. Daniel Day-Lewis's Brilliance: Daniel Day Lewis pulls this scene off spectactularly. It's a testament to a great actor, one who can nail a scene so oddly-written.

3. This is a model of 2007's cinematic dominance: You don't see this kind of scene every year. This ending may go down in history. And...history doesn't happen every year.

4. PTA's genius and guts: A director who can film this scene perfectly, a writer who can write the dialogue and outcome of this scene so outrageously. We're lucky to have a young director like P.T. Anderson. Love him or hate him, he'll be making ambitious and unique films for years to come.

5. A question: We learn so much in this scene. Yes, it's in-your-face and kind of fun, but it also raises a question about the two characters in this scene. Daniel is the one mainly pissed. Obviously he dominates Eli...you know, with the bowling pin and all...but you wonder: who's worse? These are clearly two vile men. Yet, a casual viewer will think Daniel is worse because he's a tad insane. Eli is more smug and could probably hide his feelings of self-contempt.

I saw two main things in this scene: Eli is very, very scared of Daniel and insecure about himself, alone. That's a given. But, I also saw that he is a total hypocrite and lacks any passion in his life. He's Daniel. But he hides what Daniel willingly expresses. Therefore, I believe he's the more awful individual.

Tuesday, December 30

2008 In Music

So, I don't follow music as ferverently as film, but I have enough taste to be able to barely assemble a list of my favorite songs of 2008. This will probably be a patchwork of Indie-ish to more mainstream songs. So, here are the best songs of '08...

10. Chairlift - "Bruises"

With the cute choruses cutting in at times and the interesting WTF lyrics, Chairlift's hit is a unique masterwork. Ever since I saw the hip Apple commercial, I haven't been able to get this song quite out of my head.

9. Beck - "Chemtrails"

The best song on a pretty good Beck album. Beck's faraway voice throughout what is much a ballad, give the song a great sound.

8. Coldplay - "Viva La Vida"

One of the biggest hits of the year on the airwaves was also among my favorites. It's so Coldplay-ish but the volume is turned up a bit. The beating drum in the background is the star of the song.

7. Estelle feat. Kayne West - "American Boy"

Probably my "Summer Song", and it was commonly tuned up on iTunes for me. Though a pretty stupid theme, Kayne's high tempo rap contrasted well to Estelle's beautiful, soulful voice.

6. Coldplay - "Lost"

Cheesy in the best kind of way. Pretty clever, deep lyrics set the tone for a meaningful and addictive listen. The acoustic version is a must listen.

5. TV On The Radio - "Dancing Choose"

Um, yeah, I love TV On The Radio, and despite the disappointing album (what could compare to Cookie Mountain?!), this song is easily the best. It's a dance song (as evidenced by the title) and is also full of smart guitar riffs throughout.

4. Weezer - "Pork and Beans"

No, it's not just the stupid video that had me sold. It was the funny lyrics and just, flat-out rocking that made this one of my favorite songs this year.

3. M.I.A. - "Paper Planes"

Favorite "Paper Planes" Memory #32 was the awesome montage in Slumdog Millionaire that actually played a pretty significant role in the film. The rap/hip-hop style and uniqueness made this a constant listen for me this summer.

2. Radiohead - "Bodysnatchers"

The 2008 Radiohead single off of In Rainbows is so complex and smart. Though there are several great songs on In Rainbows, Bodysnatchers may be the one I've listened to the most.

1. Vampire Weekend - "Oxford Comma"

There was a crazy, one to two week period where this was all I listened to. The only thing. I'm a late bloomer with Vampire Weekend love. Supposedly, I should hate them in a few months or so.

Saturday, December 27

The Curious Case of Benjamin Button **

the curious case of benjamin button Pictures, Images and Photos



The Curious Case of Bejamin Button is curious, yes. But also ordinary. The film in which I have anticipated so mightily (an unhealthy obsession to be honest) in my eyes, ended up far too flawed for me to like it. There were redeeming qualities, and you can perhaps assume what the qualities are that I speak of, yet certain underlying factors made the film less than average and forgettable.

David Fincher's film is homey and sweet in the sense of the setting. You really felt this was Benjamin's home, this New Orleans neighborhood, and everytime the film came back to this place, you felt comfortable, like Benjamin. This feeling can be attributed to the film's utterly stunning art direction and costume design. The world created in the film was incredibly realistic. Did they film in 1930s Louisiana? Also, Claudio Miranda's (I'm naming my son Claudio Miranda...) cinematography was a perfect blend of being artistically beautiful, along with not being all in your face.


the curious case of benjamin button Pictures, Images and Photos



The acting was consistently good, spanning the whole cast. Brad Pitt's performance was impressive. Focus on that wording. I didn't say it was great, but you cannot help but be impressed in how epic that performance was and he never was bad or anywhere close to it. Throughout the performance, you would notice little subtleties, especially when he played a child. This performance was not flashy or at all well-written (we'll get to that later), but Pitt made the most of this character and fleshed it out as well as he could. Certainly Oscar-worthy.

Cate Blanchett was the same drill as Pitt. Very good, a flashier character and dreadfully-written. Again, a good, Oscar-worthy performance. Taraji P. Henson was just average, yet was kind of the crowd-pleaser. She garnered a decent amount of laughs, but had a minor to zero emotional punch (we'll get to that later).

Continuing with the good, the make-up was stunning. Duh. The visual effects were a sight. Maybe the best I've ever seen, to be honest. These effects may end up setting the industry standard for this decade.


http://cine-lastnews.over-blog.com/ Pictures, Images and Photos



And you see, the film looks good and performances are well-done. On the surface, it is a "well-made, quality film." The film is like a snowglobe (This is going to be an awful analogy.) Yes, it's a beautiful, clever item. Very pretty. But...you can shake it. And that's about it. You don't have a big connection with this snowglobe, beyond it just looking nice.

I had, basically, no connection with Benjamin Button, the character, nor the film overall. Eric Roth's script doesn't even attempt to emotionally captivate. This story, a story about love and death and living, could have been an incredibly moving masterpiece. Yet we never have a connection to the characters.

Take, for example, Daisy, played well by Cate Blanchett. You never really get to know her. She gives Benjamin the cold shoulder a number of times and never respects him as she should. Oh, wait, but she's also madly in love with him. And I'm all for Benjamin to be the passive, kind, observer, yet Roth never surrounds Benjamin with good enough characters or story. This script is a mess, as the characters never develop.


http://cine-lastnews.over-blog.com/ Pictures, Images and Photos



The ending is not satisfying enough. A story like this needs a big ending, in a sense, to compliment the big movie proceeding it (See: Forrest Gump). Now, I don't mean there has to be a climatic action sequence, but something that has you leaving the theater a little more moved. The ending in this film was executed poorly and bordered on disturbing.

Wait it comes down to is this: the script was too ambitious. The film itself was a little too ambitious. The screenplay was so caught up in telling this beautifully unique tale and Roth knew it had to be told right. But, during all this, we lose the feeling of it all. An epic failure in terms of emotion.

Friday, December 26

Man On Wire ***1/2

The unending precursor love and Oscar hopes are in the right place with 'Man On Wire'. The story of Phillipe Petit and his dreams of tightrope walking between the Twin Towers doesn't seem as though it is the most interesting story ever told. Yet director James Marsh makes the film a visual masterpiece as well as a thrilling, unique narrative.

One of the best parts of the film is Petit himself. He's truly crazy. Crazily enthusiastic, more so. He narrates and gets on these fast-paced monologues that you can barely understand due to his thick French accent and sheer speed of how the words escape his mouth. He yells at the camera and stands up, acting out scenes.


The retro footage of free-spirits during the seventies and the whole way these people went about reaching this goal is told beautifully. The planning of how this ensemble would indeed walk between the towers is expressed as though a bank robbery was being planned. The ensemble ranging from Petit to his accomplices like Jean-Louis are sewn together, revealing the true feelings they hold for one another.

James Marsh could be a serious dark horse contender for my Best Director prize, once I see all the 2008 films. He makes what could have been a mundane topic into a thrilling story, put together in a beautiful, visual fashion. He gets the most out of the cast of characters (and they are characters, let me say). Overall, a beautiful, emotional and very fun yarn that is certainly one of the best films I've seen this year.

Thursday, December 25

Merry Christmas Everyone!


It's the big day, finally. It's kind of funny that the day Christmas actually comes, after all the fanfare proceeding it, it seems like the end. Like, I wanna take the tree down. But, whatever. End of rant.

Here's a cute little Holiday Dark Knight pic. God, there are so many Dark Knight fan-made posters. Here:



(Thank you, /Film)

SO, I got the TDK DVD and cannot wait to watch it. Plus - I might get to see Benjamin Button tomorrow! Also, I got this United Artists Deluxe Film Set. It has a bunch of classics from the 50s to now.

Here is the list of films:
Marty
Twelve Angry Men
Some Like It Hot
The Alamo WS
Disc 6: The Apartment
The Magnificent Seven
Judgment at Nuremberg WS
Disc 10: Westside Story WS Disc 1
Disc 11: Westside Story WS Disc 2
Disc 12: Birdman of Alcatraz WS
Disc 13: Dr. No WS Disc 1
Disc 14: Dr. No WS Disc 2
Disc 15: Manchurian Candidate WS
Disc 16: The Great Escape WS Disc 1
Disc 17: The Great Escape WS Disc 2
Disc 18: The Pink Panther WS
Disc 19: The Greatest Story Ever Told WS Disc 1
Disc 20: The Greatest Story Ever Told WS Disc 2
Disc 21: The Good, The Bad and The Ugly WS Disc 1
Disc 22: The Good, The Bad and The Ugly WS Disc 2 D
isc 23: Chitty Chitty Bang Bang WS Disc 1
Disc 24: Chitty Chitty Bang Bang WS Disc 2
Disc 25: Thomas Crown Affair (1968) WS
Disc 26: The Battle of Britain WS Disc 1
Disc 27: The Battle of Britain WS Disc 2
Disc 28: Midnight Cowboy WS Disc 1
Disc 29: Midnight Cowboy WS Disc 2
Disc 30: Fiddler on the Roof WS Disc 1
Disc 31: Fiddler on the Roof WS Disc 2 Disc
32: Rocky WS Disc 1
Disc 33: Rocky WS Disc 2 Disc
34: Annie Hall P&S
Disc 35: A Bridge Too Far WS Disc 1 Disc
36: A Bridge Too Far WS Disc 2
Disc 37: The Spy Who Loved Me WS Disc 1
Disc 38: The Spy Who Loved Me
Disc 39: Raging Bull WS Disc 1
Disc 40: Raging Bull WS Disc 2
Disc 41: Rain Man WS
42: Manchurian Candidate WS
Disc 43: Goldeneye WS
Disc 44: The Birdcage WS
Disc 45: Bowling for Columbine WS
Disc 46: Hotel Rwanda WS

(Sorry the list is a bit of a mess...)

Tuesday, December 23

Sunday, December 21

Slumdog Millionaire ****



To be honest, I didn't know what to expect going into 'Slumdog', and, truly, I didn't think I'd like the film. The detractors who declared the film too inspirational (get a heart, freaks) or too over-the-top visually got into my mind before I watched the film. But, really, that was all total horseshit. This film is something unlike anything I have every seen. Not even close. It teems with originality. It wants to be different and it is.

A film can be different, hooray, but there needs to be substance beyond its sheer, plain-old originality. And this is where Slumdog Millionaire reaches another level. It has an incredibly layered and complex story filled with interesting characters.

The acting isn't other-worldly, as maybe the only "weakness" in this film. But, the fact that the acting simply doesn't quite keep up with the impressive screenplay and direction isn't really a weakness, just an aspect that isn't amazing. Dev Patel is good, but I can't really describe with a more extravagant or enthusiastic lable other than he was simply good. Freido Pinto is absolutely, stunning -- in looks. Damn, she's hot in that awesome, exotic, goddess sense.



Yet, beyond the acting is the screenplay that really is a sight. The star of the film, in my opinion. The splendor of the script isn't just in the contents of the script but more so the structure. Simon Beaufoy complicates the story in the perfect way, cutting from the 'Millionaire' show to the corresponding story, while developing the viewer's knowledge of the characters. The scattered pieces of these characters, mainly Jamal, are brought together perfectly.

The overall feeling was that I was completely immersed in this film. I think it might the most I've been "into" a movie in a few months or so. Never looked at my watch (And I always look at my watch!), or turned away from the screen (and, yes, you should try to see this on the big screen).

Overall, the film is an original patchwork of great characters and story. Bravo, Simon Beaufoy for crafting a hell of a screenplay. And, Danny Boyle, you clearly didn't slack on what will probably be considered your masterwork. This isn't the greatest movie I've ever seen, but something about this unique story and overall filmmaking spells out the words 'instant classic'.

Friday, December 19

Hell. Yes.

The Curious Case of Benjamin Button is a monumental achievement—not only one of the best films of the year, but one of the greatest films ever made.

- Rex Reed in the New York Observer

Yay.

Wednesday, December 17

Vampire Weekend and A Bonus Grammar Lesson!

I have been listening to this incessantly. Just had to share:

Oxford Comma by Vampire Weekend



I was so amused by the title because, just recently, I randomly learned what the Oxford Comma is. I will proceed in giving you a grammar lesson:

Which sentence is correct?:

I am festive, extravagant, and a grammar-freak.
or...
I am festive, extravagant and a grammar freak.


The second sentence. As you hopefully noticed, sentence no. 2 lacked a comma for the third listed article. So the Oxford Comma is indicated correctly when you leave out the comma linking 'and' in a list of items.

Just had to get that off my chest. I like feeling smart.

Monday, December 15

Dances With Wolves School Essay

So, for school, I had to write about a book that has been made into a movie. I then had to summarize and compare the too.

I liked 'Dances' (as you'll read) and its worthy of a strong three stars, bordering on three and a half. Recommended if you haven't seen it. The book is also good, too, if a bit draggy.

~~~

Dances With Wolves by Michael Blake is the epic story of one man’s unexpected transformation. The reader met Lieutenant John J. Dunbar, an American soldier who slowly met and befriended the Indians who shared the frontier he currently called home. Soon, Lieutenant Dunbar embarked on this journey of discovery as he moved into a tipi among the Comanche Indians. With Dunbar’s new home and family, came great self-discoveries and awakenings for the lieutenant.

The story began with Lieutenant Dunbar living alone, except for his gentle buckskin horse, Cisco. He had just been released from serving in the Civil War. His life at the time was simple and ultimately boring. Dunbar found basic jobs such as washing his dirty clothes in the nearby river, adjusting the awning of his sod hut and slowly acquainting himself with a friendly wolf native to the woods, whom Dunbar names Two Socks. Yet everything changed for the lieutenant on the fateful day on which he was spotted by a local Comanche Indian.
Soon various, high-ranking Comanche came to see this mysterious white man. Little interaction occurred among the Indians and Dunbar, until the day Kicking Bird came to see the white man. A formal sit-down was organized yet the language barrier between Kicking Bird and Lieutenant Dunbar was evident. Though, through sign language, the two different men unexpectedly earned one another’s trust.
The Comanche’s acceptance of Lieutenant Dunbar was gradual, but as Dunbar grew friendly with various Indians, such as Wind In His Hair and Stone Calf, things began to seem more normal. Dunbar soon had a tipi of his own, with a fire pit and just a few belongings. His skin grew deeply tan and his hair was soon down to his shoulders. After only a few months among the Comanche, Dunbar’s transformation was clear. The way Dunbar’s life changed was further evidenced by the new name he was given by Kicking Bird: Dances With Wolves.
Dances With Wolves later fell in love with a fellow Comanche whose name was Stands With A Fist. Their love had to be kept a secret for many months, yet they found it difficult to conceal the affection they felt for one another. Eventually, though, their love is announced to the tribe as the two wed. Yet following the wedding, came a striking event. The Comanche enemy, the Pawnee attacked, and during this event, Dances With Wolves proved to his new family that he was a worthy Comanche warrior.
Only about a year prior, Lieutenant Dunbar was a lonely soldier, unaware of what life held for him. Yet through entering the unknown and joining the Comanche, he discovered something completely alien to him that ended up changing his life forever.
Michael Blake created a whole world, full of complex characters and frequent, subtle details that made the story seem very true. This fact is mainly a good thing, though the unrelenting detail that consumed every page, at times, took some enjoyment out of the story. Then again, these frequent details also contributed into making every scene in this story seem as if it actually happened. I suppose you could say I had mixed feelings about Dances With Wolves.
One thing I enjoyed about this story was Lieutenant Dunbar’s, or Dances With Wolves, transformation as the story developed. This story is truly a model of how a character can seem completely different to a reader from when the reader first read the book to when they turn the last page. Dunbar sincerely became a new man. This change was very realistic and gradual, as the story took its time.
I found the beginning of Dances With Wolves to be pretty dull. The story took awhile to really plunge into some action or conflict. The first hundred pages of the novel dragged at times as the reader was introduced to the main character’s past, personality and surroundings. The best part of the story, which was Lieutenant Dunbar interacting and befriending the Indians, was approached slowly and did not occur until the second half of the book. Lieutenant Dunbar would see the Indians, and then have a brief confrontation, yet nothing dramatic happened between the two parties until deep into the book.
The research and authenticity of the story impressed me, as you felt the author really knew a great deal about the customs and daily life of Comanche Indians. The daily worries of these Comanche, such as concerns about not having enough game to feed the family or the dangers of impending severe weather, were true and reflecting in the characters of Dances With Wolves.
Throughout my reading of Dances With Wolves, I had a definite idea of how the scenes described in writing would translate into the film version of the story. Yet, the film had many differences from the story. The pace of the film was faster and the central focus of the film was mainly on Dunbar, opposed to the Indians. Even the first scene of the movie, which involves Lieutenant Dunbar being operated on due to a severely bleeding foot, was far more dramatic and heart-wrenching than in the novel. The scene was accompanied with poignant music and Dunbar, played by Kevin Costner, shrieking in pain.
A scene that I thought was brought to screen masterfully was a scene in the beginning in which Dunbar rides across a battlefield acting as an open target to enemy snipers, intent on killing himself. If Dunbar had been shot dead in this beginning portion of the film, would there really be much of a film at all? Of course not, so Dunbar rides his horse by the shooting enemies, unintentionally dodging every bullet, and coming off the battlefield unscathed. This is a perfect cinematic scene, blending suspense and action along with the beautiful landscape of the frontier.
The characters in Dances With Wolves were done justice by a variety of great actors and actresses, and were actors that I would definitely choose to play the parts. Kevin Costner’s tall, lanky frame and long hair was just how I envisioned the gritty Lieutenant while reading the book. Mary McDonnell plays the frightened, grieving Stands With A Fist perfectly, with each mannerism and line reading reflecting the character that Michael Blake created. Graham Greene, who plays Kicking Bird, displays the serious, gentle man who shows great concern for his fellow Comanche.
Overall, I enjoyed the film very much and see it as a worthy winner of the Best Picture Oscar in 1991. The acting was great all around and the sweeping landscapes that are displayed in the film are genuinely beautiful. This was certainly a film I would like to see on the big screen someday for it is so epic and large in scope. The running time for the film was over three hours long, so at times, the story inevitably dragged. Scenes of just panning over the expansive frontier and aimless horse riding could be cut slightly. Yet, this immense length works in the films favor in most areas. In the three and a half hours, the characters develop, and, by the end, you feel as though you know them. Lieutenant Dunbar’s transformation into becoming Dances With Wolves was gradual, so inevitably, the film had to be gradual in its storytelling.
I believe that I enjoyed the film more than the book, yet both had specific positive attributes that the other lacked. In the novel, the visual beauty that the film offers is obviously absent. The visual splendor of the film unleashes a whole new dimension to this narrative. Various, brilliant elements of the film like the score and the set pieces are impossible to convey in a book, yet in a movie, they bring the story to a new level. The story in the novel is certainly enhanced from the technology you can utilize in a film.
An expression of the character’s feelings is something that the book did better than the movie. The narrator in the book told the thoughts and feelings of the characters simply and accessibly. Yet in the movie, the viewer must rely on the actors’ facial expressions and dialogue to tell how the character truly feels. I felt as though I knew the characters better in the novel, than in the movie.
In the end, after experiencing Dances With Wolves in two impressive mediums, I felt I gained a complete understanding of the complex story and characters. Both the film and the novel offer different pieces of the story that contributed to my understanding. After both reading the book and watching the movie, I felt closeness to the landscape and to the people of the Western Frontier.
[I think its "A-worthy", don't you?]

Branching Out, Yo

I've been a little depressed with my iPod offerings over the past few days. Nothing is exciting me, currently. I mean, I can always go back to the essentials (Radiohead, Arcade Fire, etc...), but I want something a tad more world-shattering, at the moment. Lately, I've even been...turning on the radio.

But I'm a reactor. I did something about my dilemma. I decided that I simply needed more songs on my iPod. This group of 1500 songs was currently not working. I did my research, I looked at reviews and lists and Amazon/iTunes and came up with a simple, but plentiful list of albums I'd like to explore. They are:

Burial - Untrue (For the depressing artsiness)

Animal Collective - Strawberry Jam (For the whimsical!)

M.I.A. - Kala (For the Sri Lankan rap)

Radiohead - Hail to the Thief (For the - OMG WHERE HAS THIS ALBUM BEEN ALL MY LIFE?!)

Sufjan Steven - Illanoise (For the folksiness)

Thom Yorke - The Eraser (For the techno, solo Radioheadacity)

So the requests are in to the library. A few should came in the next few days. I'll update soon, maybe.

[In other news: I love Vampire Weekend, suddenly.]

Tuesday, December 9

A Little 'Diving Bell' Music to Make Your Day Colo(u)rful



Love this song so much - Don't Kiss Me Goodbye by Ultra Orange and Emmanuelle

This comes as I remember Schnabel's interview on 60 Minutes last Sunday. The guy flipped out when Morley Safer brought up Robert Hughes, the art critic who is a frequent detractor of Shnabel's work (calls it schlockey). Anyway, see for yourself:



Lighten up, dude.

Monday, December 1

Underrated Band of the Day - Camera Obscura

The above song, 'If Looks Could Kill' is probably my favorite song by the band. It's more of a rock n' roll song with great guitar and really loud drums.

The great vocals of the lead singer, Traceyanne Campbell is displayed below in the song, 'Tears for Affairs', one of my favorites.


A nice little band. Not the best ever, but certainly worth a listen.