Slumdog Millionaire ****

To be honest, I didn't know what to expect going into 'Slumdog', and, truly, I didn't think I'd like the film. The detractors who declared the film too inspirational (get a heart, freaks) or too over-the-top visually got into my mind before I watched the film. But, really, that was all total horseshit. This film is something unlike anything I have every seen. Not even close. It teems with originality. It wants to be different and it is.

A film can be different, hooray, but there needs to be substance beyond its sheer, plain-old originality. And this is where Slumdog Millionaire reaches another level. It has an incredibly layered and complex story filled with interesting characters.

The acting isn't other-worldly, as maybe the only "weakness" in this film. But, the fact that the acting simply doesn't quite keep up with the impressive screenplay and direction isn't really a weakness, just an aspect that isn't amazing. Dev Patel is good, but I can't really describe with a more extravagant or enthusiastic lable other than he was simply good. Freido Pinto is absolutely, stunning -- in looks. Damn, she's hot in that awesome, exotic, goddess sense.



Yet, beyond the acting is the screenplay that really is a sight. The star of the film, in my opinion. The splendor of the script isn't just in the contents of the script but more so the structure. Simon Beaufoy complicates the story in the perfect way, cutting from the 'Millionaire' show to the corresponding story, while developing the viewer's knowledge of the characters. The scattered pieces of these characters, mainly Jamal, are brought together perfectly.

The overall feeling was that I was completely immersed in this film. I think it might the most I've been "into" a movie in a few months or so. Never looked at my watch (And I always look at my watch!), or turned away from the screen (and, yes, you should try to see this on the big screen).

Overall, the film is an original patchwork of great characters and story. Bravo, Simon Beaufoy for crafting a hell of a screenplay. And, Danny Boyle, you clearly didn't slack on what will probably be considered your masterwork. This isn't the greatest movie I've ever seen, but something about this unique story and overall filmmaking spells out the words 'instant classic'.